Quote from Simone de Beauvoir’s Mémoires d’une Jeune Fille Rangée about her désespoir. On second thought, pretentious. Plus Facebook’s auto-translate would mangle the meaning.
Opinion of I, Tonya. On second thought, my private opinion. Why share?
Opinion of Darkest Hour. Ditto.
Opinion of Moontide. Ditto.
Comment on depressing story in news. I think a dozen people have already said the same thing. And if I try for originality I’ll end up making another Ayn Rand reference and leaving the wrong impression.
Comment on American political situation. What is there to say, really? Parallels to French under occupation kind of pretentious as well as obscure.
Comment on politics. Am I actually interested in politics? No. Best not to reveal this.
Photo of man fishing in music concourse fountain for change late at night. On second thought, this feels like an invasion of privacy. Plus, parallels to Dickens’s London kind of pretentious. Plus photo blurry.
Photo of self on rural walk. Way too private to post pictures of self, especially doing something private, like walking or going about my life.
Opinion of Yves Saint Laurent documentary. Excessive Francophilia starting to be embarrassing.
Photo of picturesque cityscape taken during my commute. Too busy racing cars and other cyclists to actually take photos.
Photo of comic sign on Clement Street. This has probably been done enough. Plus photo blurry and too dark.
Plans to go to Gay Games in Paris. See above, re privacy, Francophilia
Photo of dish at fancy restaurant. Seems like other people have this covered. Plus see above, privacy, parallels to Dickens.
Photo of cute child. Kids I know are now too old to be cute. Plus invasion of privacy on multiple levels.
There’s a treasured shelf in my collection of mid-century teen fiction and career girl books. It holds those rare voumes in which the burgeoning civil rights movement of the sixties collides with the whitebread high school fantasies of the fifties to form a schizophrenic hybrid of the malt shoppe romance and the problem novel. It’s culture clash, Y-Teen style.
Titles include Julie’s Heritage (a black high school girl grapples with racism and dating), Why Did You Go to College Linda Warren? (good-girl Linda gets embroiled with anti-war activists during her first year of college), Lots of Love, Lucinda (Corry’s white family invites a black student from the south to stay with them and go to school in the North), Continue reading →
So I recently finished Indomitable: The Life of Barbara Grier by Joanne Passet and at last I understand why those Naiad Press books ol’ Babs put out had that distinctive look. Barbara, it seems, was your classic lesbian cheapskate; she would do anything to maximize the number of books she could get in a box, and that included squishing more Continue reading →
The Heart in Exile by Rodney Garland, W.H. Allen 1953
Cover line: A disturbingly frank novel of homosexuality in London
I discovered this gay British novel, not precisely a pulp but on the pulpy end of the spectrum, through a citation in my favorite book of 2015, The Spiv and The Architect. “Queer novels of the 1950s frequently exploited the continued currency of the traditional moral economy of furniture and design as a useful device for highlighting the domestic propriety of their respectable ‘homosexual’ protagonists,” wrote author Richard Hornsey, using The Heart in Exile as his example. He ties the novel’s detailed description of a bachelor flat to the way “a specter of malignant queerness haunted modern design,” leading to the perception of modern furniture as “an agent of corruption that would seduce children from the normative rituals of family life.” Who wouldn’t be intrigued?
The Plot: The suicide that ends many pulps starts this one. Tony Page, a queer, currently celibate psychiatrist takes on a new patient, Ann Hewitt. Continue reading →
Cover Line: “A novel that tells the truth about those homes for unwed mothers…”
Add this book to the category, “I’ve slogged through it so you don’t have to.” This is a perfect example of the mediocre stuff that was churned out solely to keep those drugstore bookracks filled. Did even Barbara Grier read this? I doubt it. Some friend said, Continue reading →
69 Barrow Street, by Lawrence Block writing as Sheldon Lord, Tower, 1959
Cover Line: “Their Love was Right! But Their Sex Was Wrong!”
We’ve all known them: the men who long to be lesbians. in the days before they found an outlet for their frustrated desires by dominating the discussions in women studies classes with passionate paeans to Monique Wittig, they wrote lesbian pulp.
Does Lawrence Block belong to this esoteric tribe? One thing is for sure: before becoming Continue reading →
I had a busy day at the bookstore Tuesday. There was a box from triliteral to unpack (I want all the books in the semiotexte series — so small, so simply designed, with such apocalyptic titles) and I was entering the books in the system while customers kept interrupting me — which is good! No complaints. We like it when people buy books.
A man in town for a convention asked if we had any books on dachshunds. No, I said, after conscientiously doing a keyword check, was he a dachshund fan? he wasn’t, his wife was. But stronger than a fan she was…”obsessed?” I suggested. He bought a psychedelic card. Continue reading →
Journey to a Woman, by Ann Bannon, Fawcett Gold Medal, 1960
Classic Line: “All the dormant fires of her younger days had sprung to life and they burned in her still, tempting her, torturing her until she knew she would have to find release somewhere or die of it.”
It took me many years to appreciate Ann Bannon’s contribution to lesbian literature. Bannon wrote five pulps between 1957 and 1962, linked novels that tell the intertwined, melodramatic adventures of Laura, Beth, and Beebo. The books made her Continue reading →
The Why Not, Victor Banis, A Greenleaf Classic, 1966
Best Line: “The Why Not represented everything he disliked about gay bars–screaming faggots, drag queens, rough trade. It was cheap and tawdry and, probably because of those qualities, successful.”
The above describes the book as well as the bar. I’ve been doing a little research on gay male pulp, in preparation for the upcoming pulp panel, and from what I’ve read The Why Not was the Women’s Barracks of the genre, a ground-breaking novel that led the way for books like Midtown Queen and Hot Pants Homo. Continue reading →