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	<title>movies &#8211; Pulp &amp; Pep</title>
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	<description>An exploration of lesbian pulps and 1950s teen romance</description>
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		<title>Things I didn&#8217;t post on FaceBook and Why</title>
		<link>https://monicanolan.com/pulppep/2018/01/15/things-i-didnt-post-on-facebook-and-why/</link>
					<comments>https://monicanolan.com/pulppep/2018/01/15/things-i-didnt-post-on-facebook-and-why/#comments</comments>
		
		<dc:creator><![CDATA[Monica]]></dc:creator>
		<pubDate>Mon, 15 Jan 2018 23:26:59 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Lesbian]]></category>
		<category><![CDATA[The Silver Screen]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[Della Street]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[privacy]]></category>
		<category><![CDATA[social media]]></category>
		<guid isPermaLink="false">http://monicanolan.jayuen.com/pulppep/?p=675</guid>

					<description><![CDATA[<p>A brief list:</p>
<ul>
<li style="margin-bottom: 10px;"><strong>Quote from Simone de Beauvoir’s <em>Mémoires d&#8217;une Jeune Fille Rangée</em> about her désespoir.</strong> On second thought, pretentious. Plus Facebook’s auto-translate would mangle the meaning.</li>
<li style="margin-bottom: 10px;"><strong>Opinion of <em>I, Tonya</em>.</strong> On second thought, my private opinion. Why share?</li>
<li style="margin-bottom: 10px;"><strong>Opinion of <em>Darkest Hour</em>.</strong> Ditto.</li>
<li style="margin-bottom: 10px;"><strong>Opinion of <em>Moontide</em>.</strong> Ditto.</li>
<li style="margin-bottom: 10px;"><strong>Comment on depressing story in news.</strong> I think a dozen people have already said the same thing. And if I try for originality I&#8217;ll end up making another Ayn Rand reference and leaving the wrong impression.</li>
<li style="margin-bottom: 10px;"><strong>Comment on American political situation.</strong> What is there to say, really? Parallels to French under occupation kind of pretentious as well as obscure.</li></ul>&#8230; <a href="https://monicanolan.com/pulppep/2018/01/15/things-i-didnt-post-on-facebook-and-why/" class="read-more">Read more </a>]]></description>
		
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			<slash:comments>5</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">675</post-id>	</item>
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		<title>Flowers for Aaron</title>
		<link>https://monicanolan.com/pulppep/2012/08/20/flowers-for-aaron/</link>
		
		<dc:creator><![CDATA[Monica]]></dc:creator>
		<pubDate>Mon, 20 Aug 2012 22:48:14 +0000</pubDate>
				<category><![CDATA[Pulp]]></category>
		<category><![CDATA[The Silver Screen]]></category>
		<category><![CDATA[Bourne]]></category>
		<category><![CDATA[Dick Tracy]]></category>
		<category><![CDATA[Flowers for Algernon]]></category>
		<category><![CDATA[movies]]></category>
		<guid isPermaLink="false">http://monicanolan.jayuen.com/pulppep/?p=177</guid>

					<description><![CDATA[<p>I&#8217;m always on the look out for traces of past pop culture in contemporary offerings. Perhaps in honor of <em>The</em> <em>Bourne Legacy</em> I should call this DNA or something, but I don&#8217;t know enough science to work the term into an apt metaphor. <span id="more-177"></span>Anyway, it was when super soldier Aaron revealed that if he didn&#8217;t get the green pills he&#8217;d revert to a mental retard that I had the insight: <em>The Bourne Legacy</em> is merely <a title="Flowers for Algernon" href="http://en.wikipedia.org/wiki/Flowers_for_Algernon"><em>Flowers for Algernon</em></a> done as a thriller. Did screenwriting brothers Tony and Dan Gilroy read the Bantam classic as it was being passed around in class, the way I did? If I recall correctly, we &#8230; <a href="https://monicanolan.com/pulppep/2012/08/20/flowers-for-aaron/" class="read-more">Read more </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">177</post-id>	</item>
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		<title>Career Girls, 1942 Style</title>
		<link>https://monicanolan.com/pulppep/2012/01/26/career-girls-1942-style/</link>
		
		<dc:creator><![CDATA[Monica]]></dc:creator>
		<pubDate>Thu, 26 Jan 2012 08:29:26 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Career Girls]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[career girl]]></category>
		<category><![CDATA[Caspary]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Laura]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Preminger]]></category>
		<guid isPermaLink="false">http://monicanolan.jayuen.com/pulppep/?p=28</guid>

					<description><![CDATA[<p>There was a double feature playing a few nights ago, <em>Laura</em> and <em>Bedelia</em>, both based on books by Vera Caspary. I was so exhausted from the grueling <a href="http://www.noircity.com/">Noir City Film Festival</a> pace (four movies on Saturday) that I thought I&#8217;d skip the movie version of <em>Laura</em> (which I&#8217;ve seen more times than I can remember) and read the book instead.<span id="more-28"></span></p>
<p>Caspary wrote <em>Laura</em> in 1942, and the eponymous heroine is a curtain opener for the career girls who would later flood the fiction market. In 1943 the <em>New York Times</em> called this story of an advertising executive who is presumed murdered and then turns up alive and becomes a &#8230; <a href="https://monicanolan.com/pulppep/2012/01/26/career-girls-1942-style/" class="read-more">Read more </a></p>]]></description>
		
		
		
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